
WEIGHT: 56 kg
Bust: A
One HOUR:90$
NIGHT: +90$
Services: Uniforms, Cross Dressing, Facial, Fisting anal, Mistress
Accueil Dossiers 35 Globalisation, Maquiladoras and T Hitherto, studies on border identities have emphasized more socio-cultural processes and have not analysed economic processes sufficiently as decisive in the construction of identities. So far studies on border identities have emphasized socio-cultural processes and have considered much less the importance of economic processes in identity construction.
The main objective of this paper, therefore, is to follow the contours of a research project that seeks to determine whether transnational identities are emerging among maquiladora workers and former-workers, due to the impacts of the globalisation; what form these transnational identities are taking or could take; and what could be their social impacts and political implications. In terms of their potential impact on the transborder society of El Paso del Norte, the project seeks to contribute to the improvement of intercultural conviviality and of gender relationships within and between the twin cities of Ciudad Juarez and El Paso.
The project analyses the performance of labour, the use of free time and conviviality outside the maquiladora, in the family environment, to verify if the learning of what Peter Berger has called "managerial values" and "academic knowledge" are determining labour discipline, the rationalization of free time and entertainment as much as gender relationships. Nevertheless, the full understanding of these identities and of the processes that build them have the potential to form the basis of a possible new cultural politics for this border region.
This could help to tackle forms of racism and sexism that continue to prevail both inside and away from the workplace, so ending institutional indifference on these issues and promoting the formation of an intercultural society based on respect for and appreciation of cultural, ethnic and linguistic differences, as well as those of gender and sexual orientation.
Second, supposedly "the border woman" is freer and more independent than women in other parts of Mexico and so she represents an actor who puts in practice her antagonistic subjectivity in the face of the traditional stereotype of the passive and submissive Mexican woman.